by adecosmo

Shoot for the Moon

Picture Info: ISO 100, 36mm, f/16, 30sec

Week 49 (7/7/2014 -7/13/2014): Pier A, Hoboken NJ

Picture taken on 7/13/2014 9:42PM

Picture description:

No matter how many times it happens, a full moon always seems to invoke a certain amount of awe after it emerges from the horizon. This past Saturday I was out camping for paintball in Pennsylvania when I first spotted the orange full moon. Although I was in a magnificent location to capture the moon in all it’s glory, I did not have my Nikon with me. It was hard not being able to photograph the rare event but in a way I was glad. Not having my camera forced me to sit back and just appreciate the moon in the raw, not through a lens, not on the back of a LCD screen, but through my own two eyes. As I gazed upon what seemed like a giant orange in the sky, I couldn’t help but think how I would compose a picture feature the moon once back home. I spent the rest of the evening kicking back with friends reminiscing about our glory days in college, knowing that tomorrow I’d have my shot at the moon.

After getting home from my trip to PA, I quickly gathered my gear and set out for the waterfront to get in position to shoot for the moon. It was cloudy on Sunday but I remained optimistic that the moon would find a way to peek through the clouds. After arriving at Pier A, I scouted a few spots for my picture then patiently waited for the moon to rise from the Western horizon. The predicted moonrise time came and went, and there was still no sign of the moon. After about 15 minutes doubt started to creep into my mind and I began to think that perhaps the clouds were just too thick to see the moon. Once 20 minutes hit I started to head back uptown feeling very defeated. As I walked past Pier C I took a quick glance at the horizon and much to my surprise I saw an orange glow starting to burst through the clouds. Could it be?! Yes it was, it was the orange mood that I was eagerly waiting for. I quickly ran back to my spot at Pier A, composed my picture and the rest is history.

Photography Concepts

When it comes to composing a picture featuring a full moon, or even the sun, one of the keys is knowing where your subject (the moon/sun) will be and when. Although the moon popped out later than I originally expected, I still had a good idea about when it would rise and where I should look for it. I’m sure there are plenty of options out there for figuring out the moon’s location but my information source is typically an iPhone application called “The Photographer’s Ephemeris.” I’ve mentioned this application in the past, but it’s so valuable that it’s worth a second shout out. Below is an example of how I planned the composition of my picture based on where the moon would be.

iPhone App Screen Shot

The reason I chose this location was because the trees lining Pier A created a natural leading lines composition, drawing your eyes down the pier towards the moon. I knew my focal length would leave the moon looking tiny, so I had to give the moon a boost a good composition to make it stand out. Other than the trees, I also used the light reflections in the water to naturally point towards the moon. In order for me to get the water looking as smooth as it did, I had to shoot a long exposure. The trade off of shooting a long exposure was the moon wasn’t as in focus as I would have liked. In hindsight I wish that I shot a few pictures using a quicker shutter to capture more detail in the moon. The next full moon like this is on August 10th which leaves me plenty of time to plan out my next shot. Mark it on your calendar, pick a location and shoot for the moon!

05.25.14

by adecosmo

A Year Down the Road

Picture Info: ISO 100, 36mm, f/22, 5.0 seconds

Week 42 (5/19/2014 -5/25/2014): “The Farm” PA

Picture taken on 5/25/2014 at 9:00PM

Photography Description:

Progress, it’s something that is noticeable but not always easy to measure. Some progress is tangible while other progress is more metaphysical. When it comes to metaphysical progress, the question is how can you measure the progress of something that doesn’t have a scale of measure. Take for example a picture, how can you scale a picture’s quality? Is a picture measured by the number of “likes”, the price tag someone can sell it for, or is it the satisfaction the photographer get’s after taking it? The concept of measuring my own progress in the world of photography is one that I’ve been dwelling on recently. I feel like I’m getting better, but how can I truly measure my progress?

This past week presented the perfect opportunity for me to try and measure my progress in the world of photography. For me, one of the key metrics in progress is difference over time. In terms of photography this means you need to take the same picture or shoot the same subject at two intervals of time. How does this relate to last week? Well last week marked the one year anniversary of purchasing my camera. I couldn’t think of a better way to gauge my progress than comparing pictures I took in the first week of owning my camera, to ones I took one year later.

During the week I went out and tried to recreate some of my first attempted “night photography” pictures. After successfully recreating one of the pictures I took on the first night of owning my camera, the progress was pretty clear. However, after looking at my recreation I realized one nuance in my recreation idea. I couldn’t limit myself to taking the “exact” picture, I needed to place myself at the same location but then shoot freely choosing whatever composition I liked. Since composition is such a large component of photography, it seemed silly to force myself into recomposing images that might have been better from another perspective.

On Friday, I set out for my traditional Memorial Day weekend trip to “The Farm,” which is my friend Bob’s PA house. While in route I was excited knowing “The Farm’s” rural landscape would act as the perfect testing ground for my progress.

Recreation of a shot from 2013

Without getting into the technical aspect of my progress (I’ll cover that in the next section), let me just say WOW, I saw a whole new side to the Farm. It’s worth noting that I’ve been going to the Farm for 11 years, so something new totally blew my mind! Take this week’s picture for example. Never before have I thought to walk down this road during sunset. It wasn’t until this year that it dawned on me, this road, sunset and mountain background would make for the perfect leading line composition. The new perspectives didn’t stop at this road. The entire weekend I was shown how photography has unlocked a whole new world for me visually. That’s progress, and although it’s not entirely measurable it’s certainly noticeable to me and hopefully everyone else. Seeing the progress that I’ve made in a year makes me excited to think about where I’ll be another year down the road. Only time will tell…

The last night’s sunset

Photography Concepts:

There are three major differences between the way I shoot now, versus how I shot a year ago. First and probably the most important is the picture format that I shoot in. Last year I had no clue about RAW vs. JPEG, so I shot in JPEG to give myself more pictures per SD card. Had I shot this week’s picture in JPEG, I never would have been able to edit it the way I did. This week’s picture was shot in Nikon’s RAW “.NEF” format. While shooting, I purposely underexposed my image by a few stops knowing that it would better retain the detail in the sky, and I would be able to recover the lost detail in the foreground. Simply put, last year I was unaware of the RAW power of shooting in .NEF…pun intended.

The second major difference between last year and now, is that I now mainly shoot in manual mode instead of aperture priority. Manual mode is what enabled me to under expose my image to my desired level. I made the jump to shooting more in manual a few weeks ago and I can tell you it’s been paying off in almost every one of my pictures. Not only do I have more control, but I’m getting quicker at determining what settings are best for specific lighting or subject scenarios. Using this picture as an example, I instantly knew I wanted almost everything in focus so I shot at f/22. Initially I didn’t have my tripod when I show this picture. Last year I might have opened my aperture to f/2.8 so I could shoot with a fast enough shutter. This year I knew f/2.8 wouldn’t let me capture the image I wanted, so I ran back to the house grabbed my tripod and tapped into the power of f/22’s large plane of focus.

Last but definitely not least is what I touched on in the previous section, composition. Before taking the trip to the Farm this year I reviewed some of my pictures to see how I shot things. What I noticed was that I wasn’t composing my pictures to take advantage of the full scene. This year I focused more on lining things up or positioning myself at a location that gave me the best angle. As often as you can, while out shooting mentally take a step back and think to yourself where is the best angle? On top of that don’t fall in love with one location, move around! Last year I was one of the biggest offenders of getting concrete shoes. I picked a spot and took countless pictures. This year I took 5-10 pictures ranging in aperture from a location, then moved to the next spot. When you get home the last thing you want to see is 200 of the same picture. Variety is good so don’t forget to move.

That about wraps up my review of the differences between this year and last year. There were other things that I noticed, such as how I edit now, but it’s far too much to fit into one post. As I get closer to the end of this blog you can expect more then and now comparisons. Until then, I’m gone for now…

Leading Lines Pt2

04.22.14

by adecosmo

Reflecting on Goals

Picture info: ISO 100, 34mm, f/2.8, 1/500sec

Week 37 (4/14/2014 -4/20/2014): 8th Street, Hoboken

Picture taken on 4/19/2014 at 7:33 PM

Picture description:

What do I want to accomplish? This is a question that often keeps me awake at night. I’m all about setting goals and doing whatever it takes to complete them. Step one of having a goal oriented mindset is obvious, set some kind of goal. If you don’t know what you want to accomplish, how can you achieve it? This “goal oriented process” is the concept I applied after purchasing my camera, my goal was to learn photography. After setting my goal, step two was figuring out a way to achieve my goal, which led me to create this photoblog. With the end of this photoblog quickly approaching, I’ve been spending time thinking about what will be my next step in achieving my overall goal of learning photography. Learning photography is hard to measure though, one can argue that you can never fully learn photography. There will always be some new camera, some new technique or just something new to learn. Knowing that I’ll never be able to measure my original goal has made me think, perhaps it’s time I expand my goal and decide what I’d like to do with my newly found photography knowledge? I’m now asking myself, what do I want to use my photography to accomplish? Is my passion for photography just a hobby, or do I want to take it further?

This past weekend I set aside some time to think about the questions I’ve raised about my next steps. While kicking around ideas I decided to throw on a YouTube video from one of my favorite photography resources, “CamerRec Toby.” Toby is a photography pro out in Vermont with his own YouTube channel devoted to reviews and tips about photography gear and techniques . I’ve cited Toby’s videos before but this week one of his videos really caught my attention. In the video (link below) Toby and his co-host Christina discussed an article “7 Reasons why most Photographers and Videographers don’t Reach their Goals” (link below). The article was so relevant to what I was currently thinking about it almost seemed like it was targeted directly at me. In the article the author talks about photographers setting too general of goals (e.g. Learning photography), and how it’s important to have measurable goals. The article helped put things in perspective and made me realize it’s time for me to set some measurable goals. The article and Toby’s video also motivated me to push forward on one of the smaller goals that I’ve been toying with. As of this past weekend, I’ve decided that I’m going to participate in the next Hoboken Art & Music festival in September. My main goal isn’t to make money (though that’s always a bonus), my main goal is to meet lots of people and seeing who and what might help me decide where to take my photography next.

With a new goal (participate in the Art & Music Festival) set, step two was to figure out a way to accomplish it. There are many things that will go into preparing for the festival, but one of the most basic things is having plenty of pictures. As a result, this weekend I also decided to start a new project called “Hoboken Streets.” Since the festival is held in Hoboken, it seems logical to think many of the attendees will be Hoboken residents. Having a geographically targeted audience means I should have geographically targeted pictures, hence my “Hoboken Street” idea.

If you’re still with me, you’re probably asking, “how in the world does all this related to this week’s picture?” Well, even before officially deciding on the idea of doing a “Hoboken Streets” project, I wanted to explore more of Hoboken. Over the past few weeks I’ve changed up my nightly running route and began zig zagging around town looking for pictures. This past week one of my runs led me up 8th street towards Stevens around sunset, where I found this location. It might come as a surprise but I don’t run with my camera, so a few days later I circled back with my Nikon and got the shot.

Photography concepts:

I wrote a little too much in the previous section, and the article I referenced could somewhat fall into this section so this week I’ll keep this section short. Two keys to this picture were composition and editing. In terms of composition, I wanted to have an equal balance between the sky/silhouette and the solar panels which were reflecting the sky/silhouettes. Instead of following the usual rule of thirds guidelines I split my image in two halves horizontally (top/bottom). The bottom half was focused on the reflection which was meant to lead your eyes down the path to the top half, which was meant to feature the sky and silhouettes.

Editing was key for this image because I wanted to emphasize the contrast between the dark silhouettes and light from the sunset. In order to do create a nice contrast, I dropped the overall vibrancy of the image while boosting the saturation of specific colors. After my color adjustments, I was left with the contrasting image that I was looking for. Of course there were some other adjustments (e.g spot adjustments, highlights, clarity, ect.) but nothing more than I’ve talked about in previous weeks. If you haven’t already, circle back and read some of my earlier weeks posts to get some more in depth tips on editing and composition.

Article:

http://theslantedlens.com/2014/7-reasons-photographers-videographers-dont-reach-goals/

CameraRec Toby Video:

https://www.youtube.com/watch?v=IhGUyD2g7Eo

01.12.14

by adecosmo

New Perspective

Picture Info: ISO 500, 35mm, f/11, 1/320 seco

Week 23 (1/6/2014 – 1/12/2014): Pier C, Hoboken NJ

Picture taken on 1/12/2014 at 3:58 PM

Picture description

A new year and a new perspective. One of the keys to making progress is the idea that only by searching for new ideas and perspectives will you truly grow. Therefore finding new perspectives in life and photography is my goal for 2014. This week I decided a good way to challenge myself would be to set out in Hoboken to find a new perspective on some of the locations I’ve so often photographed over the past year.

Starting out on 4th street I begin working my way towards Pier A park. When I arrived at the park I noticed that there were quite a few puddles still around even though it was a bright blue sunny day. I’m a big fan of puddle pictures, so I set my sights on one rather large puddle at the corner of Pier A. As I crouched down to get a good angle an old man tapped me on the shoulder and asked what I was photographing. I proudly hit my camera’s review button and showed him my most recent shot. He responded with a “Wow” and told me that reminded him of something he did when he was young. Intrigued, I asked him what it was that he did with puddles when he was young? He proceeded to stand over the puddle and intensely look down into the shallow pool of water. I initially thought he was checking himself out but then he explained what he was doing. He was standing at such an angle that he couldn’t see himself, just the reflection of the sky in the puddle. He said I’d stand here and look, look into the puddle, and if you do it long enough you can lose yourself in it’s reflection. Little did this man know he had just in part described my goal for the day. You see as this man stared into the puddle he wasn’t simply looking at the ground, no he was gazing into the deep blue sky but only from a new perspective. As the old man stood there for a few more seconds in silence I could see he was adrift in the skies reflection and found happiness from this new perspective. That’s what I want in 2014, I want to find happiness through the eyes of a new perspective.

The “Old Man”

After my nice interaction with the old man I continued on my quest for this week’s picture. I took pictures looking straight up trees, crouches at ground level, and I even fired off some no look shots while chasing some birds. Although I might have looked like a real oddball to anyone that may have been observing, after they saw my pictures they would understand. Eventually I worked my way back towards 4th street and the took one final detour at Pier C, or as I like to call it, Hoboken island. I’ve attempted to get a picture from the winding entrance of Pier C many times. This time I decided to drop to one knee and see what perspective that brought. What I saw was how the railing of the path was leading directly towards the city skyline. I snapped of a couple pictures until homing in my settings then leaned directly against the railing for what would be my final picture.

Tree Perspective

Photography concepts:

The focus of this week’s picture was finding a new perspective which essentially meant I needed to find a unique composition. In this week’s picture the look that I was going for was one of a focus to blur effect on the railing that led to the city skyline. To get this look I had to set my aperture not too small (f/22) nor too large (f/1.8). A logical approach was to split the two numbers and that’s exactly what I did. I shot my picture with an aperture of f/11 which usually puts mostly everything in focus but because I was so close (actually touching) the railing it gave a good blur to the city skyline. Below is an example of how the closeness of the railing and use of focus points got me the “blur” look I was going for. This picture is identical to my featured picture from a setting (ISO/aperture/shutter speed) standpoint but as you can see the skyline is a lot more in focus. This is the picture that I think most people would take at this low angle. I took this picture first, then to get a “new perspective” leaned into the pole to get a new spin on the view.

Picture Info: ISO 500, 35mm, f/11, 1/320 seco

As I edited the picture in Lightroom, I wanted to emphasize the metallic look of the railing along with the lights that were built into it. To do this I worked with the color sliders but unlike last week, I was actually adjusting the colors not black and white shading. As a result of tweaking the green in the railing you’ll notice all the green in my picture really pops. I wanted the green to stand out so it would first draw your eye to the railing then the green of the railing transitions into the green of the city skyline.

Overall lot of my “new perspective” shots involved getting lower to the ground or closer to my subjects than usual. I encourage you to do the same with some of your pictures this week. After you take a picture pause and ask yourself, without changing your subject how can you adjust your composition to get a new look?

12.08.13

by adecosmo

‘Tis the Season

Picture info: ISO 100, 35mm, f/1.8, 1/100 sec

Week 18 (12/2/2013 – 12/8/2013): Bryant Park, New York City
Picture taken on 12/7/2013 at 4:46 PM

Picture description:

It’s hard to top New York City during the Holiday season. Everywhere you turn there are festive window displays, giant Christmas trees and glowing lights filling the night sky. If you’ve been reading my blog from the beginning you might remember my week 2 post, “A Day of Reflection” where I visited Bryant Park. As I said in week 2, Bryant Park is one of my favorite locations in New York City. One of the best things about Bryant Park is how it transforms throughout the year with each season. During the winter months the center grass area turns into an ice skating rink with a beautiful panoramic view of midtown New York. Surrounding the rink is a network of stores in in the form of tiny huts. As you can imagine this winter wonderland attracts visitors from all over. In case you didn’t guess by now Bryant Park is obviously where I got this week’s photo, but before I talk about my time in the park let me tell you how I ended up there.

In the beginning of the week I wasn’t sure what to photograph so I threw out a status on Facebook to get some ideas. One of the suggestions I got was to capture the “hustle and bustle” of holiday shoppers, thanks Laura! After getting this suggestion Bryant Park and its “Winter Village” instantly came to mind. Since I pass the park during my commute to work I stopped in on the way home to scout for a good picture. After briefly walking around I found what I thought would be a great angle for a long exposure. The picture I had in mind would feature the Christmas tree centered between the store huts and shoppers in the foreground. The reason I had a long exposure in mind was so I could get all of the shoppers in the foreground to blur as they moved around. With my picture planned there were only two more questions I needed answered, could I use a tripod in the park, and could I fit everything in the frame of my 35mm lens? I got one of my questions answered the next day after emailing the company that manages Bryant Park. The tripod was permitted; I just couldn’t use it on the ice, too bad right? The last question wouldn’t be answered until I got on location with my camera.

This brings me to the day of the picture. Let me give you some advice, if you’re ever in New York City during December; don’t walk up 42^nd street unless you want the full tourist experience. I usually avoid 42^nd street but for some reason I decided to take it after getting out of port authority, bad move! I literally felt like I was an extra in the Walking Dead. The streets were so packed that you couldn’t move any faster than at a zombie pace. I fought through the crowd thinking it’s okay I’ll have space once I get to the park, wrong. When I finally got to the park I was greeted with an even larger crowd than was on 42^nd street. I knew this might be a problem for my picture but I remained optimistic until I got to my spot. Once I fought my way to my planned location it was time to answer my last question, will everything fit in frame…and the answer was no. As you can imagine this was very disappointing, but I couldn’t give up so I starting thinking how I could still get this picture but from another angle? I started walking around, and then while I was standing in front of the tree it hit me. Just like in my last visit to Bryant Park, why not use a reflection to capture my subject? Look closely at the Christmas ball and you’ll see the reverse angle of my original picture. Now it’s your turn, try to capture a creative reflection shot! When you do use the hashtag #52from52_wk18 and post it on Instagram.

Photography Concepts:

There wasn’t really anything tricky about capturing this picture from a photography technique standpoint. This week’s picture was made mostly via creativity which is less of a concept and more of an attribute that each individual photographer possesses. This is why I threw out the challenge for people to take their own reflection shots, I’d like to see them and see how your creativity is displayed. All that being said even though this week’s picture wasn’t too technical I can still briefly talk about the picture I was originally going to take and some of the lessons I learned.

Original Picture Idea

Above is picture from the position I originally planned to take a this week’s photograph from. As you can see it took a portrait composition to capture the tree and the crowd in one frame. I could have taken two pictures and stitched them together via photoshop (definitely a future blog subject) but I didn’t know if that would work well with a long exposure. I also could have tried to get my long exposure from this portrait composition but I wasn’t happy with the way the stores were getting cut off. There was also one more issue with my long exposure idea that I didn’t learn until after the fact. Dealing with a crowd of this density doesn’t really provide the look I was going for when using a long exposure. Of the pictures I did take via long exposure, I learned that at 30 seconds the crowd disappeared and just blotched out the area they were standing in. Even when I took shorter exposures (4-10 seconds) the crowd’s density still didn’t allow you to clearly see these were people I was photographing. Below is an example of a 5 second exposure . This concept of using long exposures to capture the movement of people is something I’m going to experiment with more in the future so stay tuned.

Picture specs: ISO 100, 35mm, f/4.5, 5 secs

10.19.13

by adecosmo

A Day of Reflection Pt 2

Picture Specs: ISO 200, 35mm, f/4, 1/640 sec

Week 11 (10/13/2013 – 10/19/2013): Chelsea 11 Ave/19th St
Picture taken on 10/14/2013 at 4:57 PM

Picture description:

Since taking the picture for my second blog “A Day of Reflection” I’ve been drawn to taking more and more reflections shots. After a crazy/good weekend and with a very busy week looming ahead of me I thought Monday would my only opportunity to get a picture this week and an ideal time for a second “Day of Reflection”. The title of this week’s blog is just as much a reference to a day of relaxing outdoors as it is to the kind of picture I took. When things get busy it’s even more important for me to set aside one day to clear my mind and of course get a picture for this blog. Walking around the city and enjoying the fall weather is one of my favorite ways to relax. Add a camera to the mix and it’s a hard afternoon to top.

Setting out the target destination for my afternoon was Chelsea, more specifically the area surrounding the Chelsea piers. Knowing there were a couple of parks, some interesting buildings and of course the waterfront/piers in the area Chelsea seemed like the perfect spot. After popping out of the subway on 14th street I began my short journey towards the water. While on my way to my picture’s destination I unknowingly passed the Chelsea Market and a bar called “The Tippler”. Not to get off topic but I circled back to both locations on Wednesday (not for pictures) and if you haven’t been to either I highly recommend checking out both, very cool!

After a walking around for a little I eventually arrived at the Chelsea Piers and immediately saw what would be the subject of this week’s blog. There are two buildings right across from the Chelsea piers which are architecturally awesome. One of the buildings is the main office for IAC which is an internet media company and the other is ‘trendy’ residential building called Nouvel. Both buildings are incredible so it was difficult to decide which building should be the focus of my picture, that’s why I decided a reflection shot was my best option…and so the challenge of getting this week’s shot began

IAC Building

Photography concepts:

As mentioned in the this week’s picture description my goal was to get two buildings in one shot. Capturing multiple buildings would have been a much easier task to accomplish if I was using a wide angel lens, or even a zoom lens from a distance. As you hopefully have come to know by now this blog revolves around me shooting with my 35mm lens, which due to my crop sensor provides around a 50-52mm perspective. Most people don’t know what these ‘mm’ measurements equate to so let me put it into perspective once more, a camera phone is around a 30-35mm perspective. When shooting with a camera phone I’m sure you’ve had limitations when it comes to fitting everything in the picture. Now imagine shrinking that window by about 40%. Yes maybe now you understand why capturing buildings or wide scenes is so challenging, here is where using reflections comes in. Through the use of reflections you can capture larger images in a smaller window.

An alternate reflection shot

The first challenge in capturing this week’s reflection picture was finding an angle that provided a clear reflection of the Nouvel building. Once I found the right angle the second challenge was determining what lines I should use to level off my picture. I decided to align my picture on the Nouvel building. Once I had my angle and point of reference to level my shot the third and last challenge was messing around with settings to find the best aperture for capturing a crisp image. I took the same picture in an array of apertures to make sure once it came time for editing I had options. While shooting with a DSLR taking the same picture using different settings is the surest way to insure you get a great picture. When you’re reviewing pictures in the LCD screen on the back of your camera it isn’t always easy to identify one that’s going to look good on a big screen. This concept is commonly referred to as “bracketing” and is one of the most important photography lesson’s I’ve learned thus far. The concept of bracketing is applied to almost any camera setting, it’s most often use is probably when it comes to exposure or light settings. Below are a couple articles on bracketing if you’d like to read more about how to apply this concept. In the future I’m going to attempt to use bracketing and merging pictures to capture a picture that contains high and low exposure areas so stay tuned!

Bracketing Articles

http://www.nikonusa.com/en/Learn-And-Explore/Article/gblbwrp6/exposure-bracketing-the-creative-insurance-policy.html

http://www.digitalcameraworld.com/2012/11/13/bracketing-explained-what-you-need-to-know-about-maximising-detail-in-your-photos/

Nouvel’s Site

http://www.nouvelchelsea.com/

10.05.13

by adecosmo

Searching for…

Picture Specs: ISO 320, 35mm, f/7.1, 1/500 sec

Week 9 (9/29/2013 – 10/5/2013): St. Petersburg Pier, FL
Picture taken on 10/1/2013 at 4:04 PM

Picture description:

Everyone is searching for something. Like most weeks one of the things I was searching for was an interesting picture to write about. In past weeks I had a set plan or some general idea about what I wanted to shoot, but my only plan for this week was to leave it open ended. The beginning part of my week was spent down in Florida visiting my insanely awesome family. My hope was that while in Florida something interesting would present itself and that my Nikon would be close or in hand to capture the moment. As one day rolled into another my camera stayed on the bench while most of my time was spent running around with my cousins doing what we do, “You don’t even know!” By the last day while my cousin Courtney and I were killing time before my flight we decided to grab a bite and hit the St. Petersburg Pier or as they call it “the pier” to see about getting a picture.

Once we got to the pier one picture instantly jumped out at me. With the thought of how everyone is “searching for” something in the back of my mind, the picture that caught my attention was this man sitting on a bench peering out at the pier as it jutted out into the deep blue bay. To me it looked like he was simply enjoying the beautiful view but also deep in thought, perhaps searching for an answer to something?

Another reason why this picture caught my eye was because this man’s spot reminded me of my own back up North. If you recall my post from week one I featured my favorite bench with a view. Chances are if Florida was my home this or one similar to this would be “my bench.” I’ve found that setting aside time to be alone in your thoughts is mentally one of the healthiest habits to have. Things move fast, as do people so if you don’t carve out some time to slow things down for a little you’re going to burn yourself out, at least that’s my philosophy. Not everyone has a bench, but I encourage you to find your equivalent. This nameless man and I have found our bench, the only remaining question is will we find everything else we’re searching for?

Photography concepts:

With 9 weeks in the books more of my focus is shifting towards the composition of my picture rather than the technical aspects such as exposure. Setting the right exposure is by choosing the correct settings is still key but it’s becoming more second nature for me. Using this week as an example, once I picked my spot there were two apertures I wanted to try for this picture. One was f/4 since this seems to be the “sweet spot” for my lens, and the other was something around f/7-8 to get most of the picture in a crisp focus. In the end f/7.1 looked the best since it kept everything in a nice focus, with the priority going to the sign in the foreground. In past weeks more of my time might have been spent finding the right exposure but thankfully this week I found it quickly and could put more thought into the elements of my composition.

Other than the beautiful clouds and water there were three things that I wanted to emphasis in this picture. My main subject was the pier with my secondary subject the man on the bench. Luckily these two subjects complimented one another in that the man is looking out towards the pier. This leads the viewer towards following the man’s gaze out into the water towards the pier. My third subject was the sign which had the main purpose of highlighting the location of my picture, St. Petersburg.

Once my subjects were chosen it was all about lining them up, which of course brings back the concept of the rule of thirds. You’ll notice that two of my subjects are in the left thirds of the picture with my third and main subject (the pier) at the lower intersection point of the right two thirds. Putting the pier in its own two thirds was so my main subject had the prime location in the photo and so the viewer could see the area surrounding it. The last framing element I went for was breaking up the picture top to bottom by putting the water in the lower 1/3, the sky in the middle 1/3 and the tree branches in the top 1/3. This naturally framed my main subject (the pier) in-between the branches and the water. My feeling was that framing the picture like this gave it a tighter feel rather than a wide open feeling one would have felt if the sky took up 2/3+ of the picture. My goal was that the combination of all the framing elements would make the viewer feel like they were looking through the same natural window as the man on the bench. I hope it worked!

08.15.13

by adecosmo

A Day of Reflection

Picture Specs: ISO 500, 35mm, f/9.0, 1/200 sec

Week 2 (8/11/2013 – 8/17/2013): Corner of 6th/42nd Bryant Park, New York City
Picture taken: 8/14/2013 at 5:50PM

Picture Description:

If you were to ask me what are my favorite locations in New York City, Bryant Park would absolutely be in my top five. Although I pass the park almost every day (during my commute to work) I don’t always have the time to stop and enjoy everything it has to offer. If you’ve spent any amount of time in the park you know it’s a very busy place filled with a diverse group of people. It’s safe to say there is an activity for almost anyone, year round. One part of the park that I never explored was the New York Public Library. Yes, for those of you that know me I went into the library, voluntarily! No I did not borrow any books BUT I did have fun checking out the amazing architecture throughout the building. At the start of my visit, my plan was to get a picture of the “Rose Main Reading Room” however that didn’t come out as I hoped. A picture with the 35mm didn’t do the room justice (trust me, Google it) you really need a wide-angle lens, so I decided not to use that picture for this post.

Taken via NYPL’s Photobooth

After exploring the library, I took my adventure outside. In the heart of the park there were hundreds of people out enjoying the beautiful 70 degree sunny weather. Both of the park’s restaurants were buzzing and the lawn was littered with people hanging out next to the towering movie screen sitting on the west side of the lawn. In case you don’t know, HBO has a film festival that runs every Monday during the summer. The festival makes for a great dinner and a movie idea, but those kind of tips would need a whole other blog so I’ll leave it at that.

After doing a quick walk-through of the park one thing that immediately caught my eye was how most of the buildings surrounding the park were picking up great reflections of one another. A reflection shot usually makes for an interesting and unique photo so I decided this would be the perfect idea for this weeks post.

Photography Concepts:

There weren’t a lot of technical intricacies to this week’s photo other than timing. Prior to going to Bryant Park I knew when the sun would be at the right angle (no pun intended) for some nice shots and maybe even a good reflection picture. I use an APP on my iPhone called “The Photographer’s Ephemeris” which tells me the angle of the sun based on time/day. If you’re looking to use the sun as a part of your picture or get a reflection shot I highly recommend using this application when planning your shot.

One composition concept that I attempted to use at least subtly is “leading lines”. When you look at the picture the lines sort of lead you to the corner of the building where you notice you’re not looking at a blurry picture, you’re actually looking at a reflection. At least that’s the way I saw it.

Last, when shooting during the day even though there is plenty of natural light, at some points I had to slow down my shutter speed or boost my ISO. I’ll talk about this more when I take a night picture but take note that for a picture like this when you want everything in focus you need to use a smaller aperture. I used f/9 which is (based on everything I read) a good aperture for landscapes. Since a smaller aperture means less light, you have to compensate with a higher ISO or slower shutter speed.

Challenges:

I’m only in week two and I can already see how challenging the 52 from 52 concept is going to be. Luckily I like a challenge, anything worthwhile takes time and effort. I put a decent amount of thought into what I wanted to photograph this week. I naturally have lots of ideas but some of them are about timing (weather, time of day, ect.) while others are location based and require traveling. With a busy schedule, one of my biggest difficulties will be setting aside the time to go out and take pictures each week…but that’s the purpose of this, to force me to get out there and learn!