Instameet

Picture Info: ISO 100, 36mm, f/9.0, 1/80sec

Picture Info: ISO 100, 36mm, f/9.0, 1/80sec

Week 41 (5/12/2014 -5/18/2014): Madison Square Park, NYC

Picture taken on 5/18/2014 at 5:30PM

Photograph description:

Anyone that knows me would probably tell you that I’m an Instagram addict.  I share a picture typically 1-2 times a day, and I’m constantly in pursuit of my next post.  The reason I enjoy Instagram is mainly because it’s very simple, take a picture, share a picture, like a picture, and yet there is a depth to it.  If something is going on in the world, chances are you can find basically a live feed to it on Instagram.  Think of Instagram as your square portal to everything and anything happening around the world.  You’re never more than a hashtag search away from getting a glimpse into anything from having tea in London, to a wild safari ride in Africa.  The possibilities of what you can find are endless.

This past weekend Instagram tapped into the power of hashtags by using them to unify coordinated events around the world.  The overall event was officially referred to as “WorldWide Instameet 9” and had the official hashtag of #WWIM9.  The concept was simple, each city or region had an organizer that picked a time and location to meet.  After meeting up everyone did exactly what brought them together, take and share pictures via Instagram.  Each local “instameet” had their own hashtag in addition to the official worldwide one.  This concept enabled people to search pictures at the worldwide level, or by the specific location.

A few days before WWIM9 a post about it popped in my Instagram feed.  One of the more popular New York City instagrammers posted up the event details and pointed everyone in the direction of the organizers feed.  Of course after stumbling upon this, it immediately peaked my interest.  I’ve been meaning to check out one of these “instameets” but always seem to be busy on the day it’s held.  Luckily, this time around I was finally free to participate.

I could probably write a 10 page post detailing the entire event, but where is the fun in that?  Don’t just read about my instameet, go to one yourself!  I promise you won’t be disappointed, unless your camera dies.  My friend Becky may have put it best, there is so much creative energy flying around it’s hard not to get inspired.

Photography concepts:

This week I’m going to change it up.  Instead of breaking down my picture I’m going to talk about some of the new photography concepts I was introduced to this past weekend. There was far more than just DSLR’s being used amongst the many participants.  There were three different styles/equipment that really caught my attention.  First, and probably the most captivating was how one instagrammer (@huper_X) used a drone/gopro combo to capture amazing aerial footage.  I didn’t get a chance to talk to the photographer, so I’m not sure about the exact drone he used, but below is link to something that looked identical to his drone.  Bottom line, this drone captured footage that looked like it came from a helicopter.  It was truly amazing to witness this thing on display.

The second new style/equipment of photography that I was introduced to was a 360 camera called the “Theta” by Ricoh.  This compact device was used by @tsaebadliw (Will) to capture one of my favorite pictures from the day (below).  Will set up the camera, then had everyone gather around to capture an amazing 360 degree view of the group.  Usually, a 360 camera is used in real estate for virtual tours, but as Will and the “Theta’s” creators display on their site, it’s great for getting creative as well.

360 PhotoSphere by: @tsaebadliw (instagram) _wildabeast1 (twitter)

360 PhotoSphere by: @tsaebadliw (instagram) _wildabeast1 (twitter)

The third and most relevant piece of equipment to my style of photography that I learned about was Olloclips.  Olloclips are lenses for your iPhone/iPad that mimic the capabilities of a DSLR.  Olloclips has telephoto, macro, and wide angle lenses. The idea of enhancing my iPhone’s picture capabilities was very appealing since it’s impossible to carry my DSLR everywhere.  Taking great pictures with your phone doesn’t require an Olloclip, but it would certainly help.

Check out below for links to all of the new toys I learned about, along with some links to the instagram blog for the WWIM9 event.  I’ll get back to breaking down my pictures next week, enjoy your memorial day weekend!

 

Links:

Phantom 2 Vision Drone:

http://www.dji.com/

“Theta” 360 Camera by Ricoh

https://theta360.com/en/

OlloClip:

http://www.olloclip.com/

Instagram’s blog post on WWIM9

http://blog.instagram.com/post/82909503229/wwim9-announcement

Video shot by @huper_X at Madison Square park via an aerial drone.

 

Bloomfield in Bloom

Picture info: ISO 250, 36mm, f/11, 1/80sec

Picture info: ISO 250, 36mm, f/11, 1/80sec

Week 39 (4/28/2014 -5/4/2014): 10th & Bloomfield, Hoboken

Picture taken on 5/3/2014 at 9:13 AM

Photograph description

Last week I mentioned that one of the biggest challenges for my Hoboken streets project would be to taking pictures that don’t in some way involve the sun .  Naturally I’m drawn towards taking pictures that utilize some kind of light source to create contrast.  In order to keep improving my photography, it’s important that I constantly challenge myself to go outside of my comfort zone.  It’s as the saying goes, “variety is the spice of life”

This week’s picture was taken while I was on my Saturday morning bagel run…for those of you that don’t know, I’m a bagel addict.  Moving on though. It was still early enough that the sun wasn’t high in the sky but it was still filling the day with plenty of natural light.  Although my usual Hoboken bagel spot is on Washington street, I decided to walk down Bloomfield instead so I could photograph the cherry blossoms that line the street.  It only seemed fitting that bloomfield would be filled with so many blooming trees.  Early into my trip I came across an apartment building that had a pinkish tint which acted as the perfect backdrop for the cherry blossom.  I shuffled around for a few minutes trying to find the best angle to fit everything in frame at ~35mm.  Eventually I found the spot and the here you have it!

Photography concepts:

One of the advantages of taking pictures with even light is that it’s easier to set your exposure for the entire scene.  When you include a bright light source in your picture (e.g. the sun) you have to worry about some or all of the image getting blown out (overexposed) or underexposed.  I usually worry more about overexposing the image because it’s harder to recover overexposed areas, than underexposed areas.  Since this week’s picture had no harsh light source setting my exposure was a breeze!

The hardest part of shooting this picture was capturing what I considered to be the good part of the scene at ~35mm.  The reason I’m saying approximately (~) is because I’ve been shooting more and more with my 17-50mm Sigma lens.  Yes 35mm is within the range of my lens, but for some reason the lens never seems to settle on 35mm exactly.  Any picture I take at 35mm usually reads as 34mm or 36mm when I review the image.  I’m not sure why this happens, but it’s not really a big deal.

If there is one thing I learned this week it’s evenly lit pictures are relatively easy to shoot, if you can find interesting ones.  The last part of that statement is the key, “if you can find interesting ones.”  My usual move in the absence of contrasting light is to find a unique angle or move in close and use a wide aperture to tap into a depth of field element.  I did neither this week and that again plays into my desire to shoot more variety.  Variety should be everyone’s goal.  Flip through the pictures on your computer, facebook or instagram and I bet you’ll see a trend.  Hopefully the trend isn’t selfies, but even if it is, this week try to shoot something new.  Find something you don’t usually photograph and get to it!

Reflecting on Goals

Picture info: ISO 100, 34mm, f/2.8, 1/500sec

Picture info: ISO 100, 34mm, f/2.8, 1/500sec

Week 37 (4/14/2014 -4/20/2014): 8th Street, Hoboken

Picture taken on 4/19/2014 at 7:33 PM

Picture description:

What do I want to accomplish? This is a question that often keeps me awake at night.  I’m all about setting goals and  doing whatever it takes to complete them.  Step one of having a goal oriented mindset is obvious, set some kind of goal.  If you don’t know what you want to accomplish, how can you achieve it?  This “goal oriented process” is the concept I applied after purchasing my camera, my goal was to learn photography.  After setting my goal, step two was figuring out a way to achieve my goal, which led me to create this photoblog.  With the end of this photoblog quickly approaching, I’ve been spending time thinking about what will be my next step in achieving my overall goal of learning photography.   Learning photography is hard to measure though, one can argue that you can never fully learn photography.  There will always be  some new camera, some new technique or just something new to learn.  Knowing that I’ll never be able to measure my original goal has made me think, perhaps it’s time I expand my goal and decide what I’d like to do with my newly found photography knowledge?  I’m now asking myself, what do I want to use my photography to accomplish?  Is my passion for photography just a hobby, or do I want to take it further?

This past weekend I set aside some time to think about the questions I’ve raised about my next steps.  While kicking around ideas I decided to throw on a YouTube video from one of my favorite photography resources, “CamerRec Toby.”  Toby is a photography pro out in Vermont with his own YouTube channel devoted to reviews and tips about photography gear and techniques .  I’ve cited Toby’s videos before but this week one of his videos really caught my attention.  In the video (link below) Toby and his co-host Christina discussed an article “7 Reasons why most Photographers and Videographers don’t Reach their Goals” (link below).  The article was so relevant to what I was currently thinking about it almost seemed like it was targeted directly at me.  In the article the author talks about photographers setting too general of goals  (e.g. Learning photography), and how it’s important to have measurable goals. The article helped put things in perspective and made me realize it’s time for me to set some measurable goals.  The article and Toby’s video also motivated me to push forward on one of the smaller goals that I’ve been toying with.  As of this past weekend, I’ve decided that I’m going to participate in the next Hoboken Art & Music festival in September.  My main goal isn’t to make money (though that’s always a bonus), my main goal is to meet lots of people and seeing who and what might help me decide where to take my photography next.

With a new goal (participate in the Art & Music Festival) set, step two was to figure out a way to accomplish it.  There are many things that will go into preparing for the festival, but one of the most basic things is having plenty of pictures.  As a result, this weekend I also decided to start a new project called “Hoboken Streets.”  Since the festival is held in Hoboken, it seems logical to think many of the attendees will be Hoboken residents.  Having a geographically targeted audience means I should have geographically targeted pictures, hence my “Hoboken Street” idea.

If you’re still with me, you’re probably asking, “how in the world does all this related to this week’s picture?”  Well, even before officially deciding on the idea of doing a “Hoboken Streets” project, I wanted to explore more of Hoboken.  Over the past few weeks I’ve changed up my nightly running route and began zig zagging around town looking for pictures.  This past week one of my runs led me up 8th street towards Stevens around sunset, where I found this location.  It might come as a surprise but I don’t run with my camera, so a few days later I circled back with my Nikon and got the shot.

Photography concepts:

I wrote a little too much in the previous section, and the article I referenced could somewhat fall into this section so this week I’ll keep this section short.  Two keys to this picture were composition and editing.  In terms of composition, I wanted to have an equal balance between the sky/silhouette and the solar panels which were reflecting the sky/silhouettes.  Instead of following the usual rule of thirds guidelines I split my image in two halves horizontally (top/bottom).  The bottom half was focused on the reflection which was meant to lead your eyes down the path to the top half, which was meant to feature the sky and silhouettes.

Editing was key for this image because I wanted to emphasize the contrast between the dark silhouettes and light from the sunset.  In order to do create a nice contrast, I dropped the overall vibrancy of the image while boosting the saturation of specific colors.  After my color adjustments, I was left with the contrasting image that I was looking for.  Of course there were some other adjustments (e.g spot adjustments, highlights, clarity, ect.) but nothing more than I’ve talked about in previous weeks.  If you haven’t already, circle back and read some of my earlier weeks posts to get some more in depth tips on editing and composition.

Article:

http://theslantedlens.com/2014/7-reasons-photographers-videographers-dont-reach-goals/

CameraRec Toby Video:

https://www.youtube.com/watch?v=IhGUyD2g7Eo

 

A growing family

Picture Info: ISO 100, 35mm, f/3.2, 1/250 second

Picture Info: ISO 100, 35mm, f/3.2, 1/250 second

Week 35 (3/31/2014 -4/6/2014): Treasure Island Beach, FL

Picture taken on 4/6/2014 at 8:03 PM

Picture description

This past weekend brought me to Florida to celebrate my cousin Danielle’s wedding.  It was a beautiful venue filled with my beautiful family.  Originally I planned to use a picture from the wedding for this post, but due to mobile limitations I decided to hold off on posting any wedding pictures until I returned and had time to properly sort through them all.  My back-up plan was to hit the beach at sunset sometime during my trip, preferably in the area of a pier.  My goal was to shoot either a long exposure and or some kind of sunset picture.  Since getting my DSLR I’ve taken two other trips to Florida, but neither visit brought me to the beach during sunset with my Nikon.  This time around I was determined to get to the beach for magic hour.

When I pitched the beach sunset idea to my family, they were all on board and even helped research locations.  After picking a location, we quickly ate dinner and set out for  “The Long Pier” at Redington Beach.  Redington Beach was a little far which had us worried about arriving late and missing the sunset.  As we drove up the coast we decided to call an audible and stop at the location of our last family reunion, Treasure Island Beach.

After arriving my cousin Courtney and I moved ahead of everyone else and headed towards the beach.  We moved as quickly as possible, taking into account my cousin is pregnant, but that didn’t seem to slow her down at all.  Once we reached the shoreline, Courtney and I both started assessing the sunset for the best shot.  Like me, Courtney is a photography enthusiast, and recently purchased a DSLR of her own.  We both shuffled around taking pictures until the rest of the family arrived.  When Courtney’s husband Ray arrived and stood next to her my eyes were immediately drawn to how their silhouettes contrasted against the sunsetting sky.  Their silhouettes were particularly meaningful because of Courtney’s little baby bump.  I took a couple steps back, told them to pose and three shots later had my picture.  Although I got plenty of great pictures that night, none seemed as meaningful as the one of Courtney and Ray.  To me this picture perfectly captured the essence of my trip, Florida, beaches, love and our growing family, both through marriage and pregnancy.

Photography concepts:

While in Florida I made it a point to shoot almost completely in manual.  The more I shoot in manual, the more I’m seeing how much it trumps my old technique of exposure compensation.  Yes I can fix my exposure in post (editing), but getting it right in camera feels more authentic and is definitely more gratifying.  Had I not shot this week’s picture in manual, my best option would have been to spot meter off the sunset background.  Spot metering should have done the trick for underexposing and therefore silhouetting my cousins, but I didn’t have time to test in order to prove my theory.

What made this picture was a combination of decisions involving, aperture, focus points, and composition.  First, I decided to shoot with a somewhat wide aperture (f/3.2).  The reason behind using a wide aperture was to isolate my subjects from the background.  A bonus was that I didn’t have to slow my shutter down too much, resulting in crisp edges in details such as strands of hair that were blowing in the wind.  Second, in order for me to get my cousins in focus and separate them from the background as I planned, I had to set my focus point on them.  Focusing on dark figures is difficult because your camera looks for contrasting colors to focus on.  Therefore I didn’t line my focus point up with either of their center masses, instead I hit the edges around their mouths.  The tricky part about using edges is knowing if you actually hit them or the background, it’s a very fine line.  I recommend zooming into your image after shooting and looking for some kind of detail such as hair to determine if you were successful.  The third and last point I want to mention is my composition.  I used the rule of thirds to determine both where I lined up my cousins, and the horizon.  I split my cousins between the left and middle thirds of the picture putting their kissing heads on the border line.  The reason I put them off center was because the background wasn’t symmetrical.  Had the the background been symmetrical, I think it would have looked better if they were symmetrically lined up too.  As for the horizon, the sky was more interesting than the water, so I gave the sky two thirds of the background space.

All of the decisions I just outlined are becoming very quick, almost instinctive decisions for me now.  I’m learning that the more you shoot, the more you fall back on the habits you developed in the early stages of learning your DSLR.  If you’re new to shooting with a DSLR, or you’re just applying these concepts to taking pictures with a point and shoot or camera phone, I encourage you to spend time thinking about what makes a good picture.  Before you shoot think about what you want to emphasize in the picture, then using the triangle of photography decide what settings are best.  Then determine your composition and start shooting.  The more time you spend on these decisions now, the less you’ll have to spend as you get more experience.  If you’re not new to taking pictures but never applied these concepts just slow yourself down and think.  The thing I always remind myself to do is take a picture less to “document” what’s going on and more to pass along the way I see things.  How do you see something?  Putting your creative spin on things is what makes it an art, that’s photography and that’s what people like to see.

Sh-HOOT-ing with friends

Picture Info: ISO 100, 35mm, f/1.8, 1/1250 sec

Picture Info: ISO 100, 35mm, f/1.8, 1/1250 sec

Week 21 (12/23/2013 – 12/29/2013): DUMBO, Brooklyn

Picture taken on 12/28/2013 at 11AM

Picture Description:

Being an admitted cornball, I couldn’t pass up the opportunity to work “hoot” into this week’s title.  This Saturday marked the first time that I participated in what is often referred to as a “photowalk” in the photography world.  The idea was hatched by two of my friends, one a photography enthusiast like myself, and the other a professional photographer.  We kicked around some location ideas and eventually settled on DUMBO since it’s one of the more interesting and subject rich locations in the New York area.  DUMBO, located in Brooklyn, stands for Down Under the Manhattan Bridge Overpass.  Before Saturday I had never been to DUMBO so it was nice to finally cross it off my location bucket list. The area can get touristy not only because of the beautiful views but also because it’s home to the famous “Grimaldi’s Pizza”. Though not the original, there is a Grimaldi’s located in Hoboken so standing in line for pizza was not part of Saturday’s agenda.

DUMBO Classic Picture

Classic DUMBO Picture

Shortly after arriving on location I spotted what I consider to be the classic DUMBO picture.  Although I didn’t want to use this as my featured picture, I couldn’t pass up the opportunity to take the shot.  We spent the morning walking around discussing different techniques, equipment and comparing pictures.  After walking around the east river’s shore line we decided to head into the streets to see if we could find some lunch and perhaps some graffiti.  Post lunch we stumbling upon the brick wall that contained this weeks picture.  All three of us worked the wall individually to find what we thought would be the best way to photograph it.  It was interesting seeing how other photographers approached shooting the same subject and how each of us had our own unique view.  After a few minutes of working on our own we compared pictures and tried our hand at duplicating each others shots. We continued doing this for a little while then eventually decided to call it a day.  While driving back to New York City we came to the conclusion that this shouldn’t be our first and only photowalk.  In the coming week’s expect more posts chronicling different “photowalks” and if you’re interested in participating in one shoot me an email.

Bokeh Owl Version

Bokeh Owl Version

Photography Concepts:

This week I learned less from my own shooting and more from the discussions and tips that were traded during the photowalk.  One of the biggest takeaways, which might come as a surprise to anyone familiar with photography, was the concept of spot metering.  Prior to this weekend I heard the term before but never really understood what it meant or where it would be applicable.  In a nutshell spot metering allows you to lock in the exposure you want then recompose and shoot your picture.  I didn’t get any good photo example  for spot metering this weekend but you can bet I’ll be experimenting more with this in the future and do a post on it.

Another subject that came up worth noting was white balance and the importance of doing it in camera.  I always thought that I could do white balancing during editing and there was minimal to no trade offs.  This however was not entirely true.  Essentially although you can fix white balance after shooting, by getting the correct white balance in camera I’ll have more flexibility in editing later.  I mainly shoot landscape and outdoors pictures, so luckily white balance hasn’t come into play that much for me thus far.  In 2014 my goal is to take more pictures of people so expect more posts on white balancing now that the subject is a lot less murky.

‘Tis the Season

Picture info: ISO 100, 35mm, f/1.8, 1/100 sec

Picture info: ISO 100, 35mm, f/1.8, 1/100 sec

Week 18 (12/2/2013 – 12/8/2013): Bryant Park, New York City
Picture taken on 12/7/2013 at 4:46 PM

Picture description:

It’s hard to top New York City during the Holiday season.  Everywhere you turn there are festive window displays, giant Christmas trees and glowing lights filling the night sky.  If you’ve been reading my blog from the beginning you might remember my week 2 post, “A Day of Reflection” where I visited Bryant Park.   As I said in week 2, Bryant Park is one of my favorite locations in New York City.  One of the best things about Bryant Park is how it transforms throughout the year with each season.  During the winter months the center grass area turns into an ice skating rink with a beautiful panoramic view of midtown New York.  Surrounding the rink is a network of stores in in the form of tiny huts.  As you can imagine this winter wonderland attracts visitors from all over.  In case you didn’t guess by now Bryant Park is obviously where I got this week’s photo, but before I talk about my time in the park let me tell you how I ended up there.

In the beginning of the week I wasn’t sure what to photograph so I threw out a status on Facebook to get some ideas.  One of the suggestions I got was to capture the “hustle and bustle” of holiday shoppers, thanks Laura!  After getting this suggestion Bryant Park and its “Winter Village” instantly came to mind.  Since I pass the park during my commute to work I stopped in on the way home to scout for a good picture.  After briefly walking around I found what I thought would be a great angle for a long exposure.  The picture I had in mind would feature the Christmas tree centered between the store huts and shoppers in the foreground.  The reason I had a long exposure in mind was so I could get all of the shoppers in the foreground to blur as they moved around.  With my picture planned there were only two more questions I needed answered, could I use a tripod in the park, and could I fit everything in the frame of my 35mm lens?  I got one of my questions answered the next day after emailing the company that manages Bryant Park.  The tripod was permitted; I just couldn’t use it on the ice, too bad right?  The last question wouldn’t be answered until I got on location with my camera.

This brings me to the day of the picture.  Let me give you some advice, if you’re ever in New York City during December; don’t walk up 42nd street unless you want the full tourist experience.  I usually avoid 42nd street but for some reason I decided to take it after getting out of port authority, bad move!  I literally felt like I was an extra in the Walking Dead.  The streets were so packed that you couldn’t move any faster than at a zombie pace.  I fought through the crowd thinking it’s okay I’ll have space once I get to the park, wrong.   When I finally got to the park I was greeted with an even larger crowd than was on 42nd street.  I knew this might be a problem for my picture but I remained optimistic until I got to my spot.  Once I fought my way to my planned location it was time to answer my last question, will everything fit in frame…and the answer was no.  As you can imagine this was very disappointing, but I couldn’t give up so I starting thinking how I could still get this picture but from another angle?   I started walking around, and then while I was standing in front of the tree it hit me.  Just like in my last visit to Bryant Park, why not use a reflection to capture my subject?  Look closely at the Christmas ball and you’ll see the reverse angle of my original picture.   Now it’s your turn, try to capture a creative reflection shot!  When you do use the hashtag #52from52_wk18 and post it on Instagram.

Photography Concepts:

There wasn’t really anything tricky about capturing this picture from a photography technique standpoint.  This week’s picture was made mostly via creativity which is less of a concept and more of an attribute that each individual photographer possesses.  This is why I threw out the challenge for people to take their own reflection shots, I’d like to see them and see how your creativity is displayed.  All that being said even though this week’s picture wasn’t too technical I can still briefly talk about the picture I was originally going to take and some of the lessons I learned.

Original Picture Idea

Above is picture from the position I originally planned to take a this week’s photograph from.  As you can see it took a portrait composition to capture the tree and the crowd in one frame.  I could have taken two pictures and stitched them together via photoshop (definitely a future blog subject) but I didn’t know if that would work well with a long exposure.  I also could have tried to get my long exposure from this portrait composition but I wasn’t happy with the way the stores were getting cut off.  There was also one more issue with my long exposure idea that I didn’t learn until after the fact.  Dealing with a crowd of this density doesn’t really provide the look I was going for when using a long exposure.  Of the pictures I did take via long exposure, I learned that at 30 seconds the crowd disappeared and just blotched out the area they were standing in.  Even when I took shorter exposures (4-10 seconds) the crowd’s density still didn’t allow you to clearly see these were people I was photographing.  Below is an example of a 5 second exposure .  This concept of using long exposures to capture the movement of people is something I’m going to experiment with more in the future so stay tuned.

Picture specs: ISO 100, 35mm, f/4.5, 5 secs

Picture specs: ISO 100, 35mm, f/4.5, 5 secs

Getting Negative

Picture specs: ISO 500, 35mm, f/4.0, 1/4000 second

Picture specs: ISO 500, 35mm, f/4.0, 1/4000 second

Week 8 (9/22/2013 – 9/28/2013): Flatiron building, corner of  23rd/5th NYC
Picture Taken on 9/25/2013 at 4:58 PM

Picture Description:

No, don’t worry I’m not going on any kind of negative rant in this week’s post.  If you want to understand the “negative” reference in the title you’ll have to read the photography concepts!  Enough on that, time for the story behind the picture.

I was reminded about a very valuable lesson this week, that lesson being that you really can’t force things.  As usual I had a plan for this week but by Tuesday I realized my plan was pretty much a wash.  The plan was to get a picture of or around the United Nations building.  The reason I chose this week was because it’s the annual United Nations General Assembly.  Most people have no idea about when the General Assembly happens let alone the chaos that happens in the area surrounding the UN.  I work not too far from the UN so each year I get a front row seat to the insanity.  SWAT cars, Secret Service, hundreds of NYPD officers, and countless diplomats converge on my little east side nook.  What I wanted to do was get a picture that in some way captured the madness.  On Monday I scouted the surrounding area to see if there were any good pictures that caught my eye.  Due to all the added security I couldn’t get close to the UN building so I knew I’d have to get some kind of distant shot.  The only idea I could think of was a sunrise picture since the UN is right on the water.  Sunset shot easy right, yes…on any other week!

It wasn’t until Tuesday morning when I brought my camera into work with me that I realized the flaw in my plan.  With so many cops and security personnel around the second I took my camera out all eyes focused on me.  Why is he photographing the UN?  Why is he wearing a black coat?  Why is he walking down that street?  Why is he looking around in such an odd way?  These are all of the questions I could almost hear getting asked as I felt the burning stares.  After a few short minutes I decided to move locations to the waterfront on the East river, bad idea. Once I got to the waterfront I saw police boats circling which seemed to immediately fixate on me.  As one large boat headed in my direction, I quickly threw my camera into my bag and slowly walked away.  In my head I had this sudden fear that some kind of unmarked car was going to zoom up, grab me, and take me away for hours of questioning.  At this point I said you know what I really don’t want to get arrested this week, I’m going to get a bagel and call it a morning.

That afternoon as I thought about what unfolded in the morning I realized even though I really wanted the UN picture this week, now isn’t the best time, there is always next week.  Giving up on something like this is difficult for me.  Once I see something I want I go for it but as I said  earlier, this week I was reminded sometimes you can’t force things you just have to be patient and wait for the right time.

Once I came to terms with holding off on the UN idea I decided that I would take a trip to the flatiron building to see if I had better luck without all the piercing police eyes.  Prior to this week I had only seen the flatiron building from a distance or very briefly up-close while driving by.  The building is quite the scene in person and can make you a little dizzy when you’re standing right next to it looking straight up.  Luckily I was able to conquer the dizziness and get this week’s shot, hopefully you like it!

Photography Concepts:

Photography wise what I learned this week is “getting negative” isn’t a bad idea, let me explain.  As I continue to read about the concepts of photography one term that’s come up a lot when referencing a pictures composition is “negative space.”  Based on everything I’ve read negative space is the area surrounding your subject (which is positive space).  It seems logical enough right?  I’ve seen that in some photos people literally fill the negative space with well nothing.  What this does it it really emphasizes the subject.  In my case my subject was the flatiron building and my negative space was filled with the nice blue sky.  When I first started taking pictures if I took a picture where half of it was empty I’d probably think about cropping it down to eliminate that space.  What I’ve now learned is if used correctly the empty “negative” space is a nice tool to put in your composition toolbox.

An example of a picture where there is no negative space.

An example of a picture where the subject takes up most of the frame

One trick I learned this week while getting myself dizzy from looking up for too long was how to line up my pictures better.  In a lot of the pictures I’ve previously taken of buildings while looking straight up I noticed that the picture always seems tilted.  The way I lined the picture up or saw it in real life didn’t translate well to the composition of the photo once I reviewed it at home.  While I was shooting this week I tried to choose a line or lines in the building that would level things out when I looked at the picture later on.  It felt odd while I was taking the picture but my results were a lot better. For example in the below picture I chose the corner line between the two sides of the building to line up my shot.  It’s hard to give some kind of formula for choosing the right line, but it’s something I’m going to try and pay closer attention to in the future.

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