The Next Chapter

Picture info: ISO 100, 36mm, f/13, 1/60 second

Picture info: ISO 100, 36mm, f/13, 1/60 second

Week 52 (7/28/2014 -8/3/2014): Central Park, New York City

Picture taken on 8/2/2014 at 3:26PM

Photograph description:

A year ago when I decided to commit to doing this photoblog my goals were simple, shoot a picture each week, and learn photography.  It makes me proud to confidently say that I accomplished both goals, and in doing so accomplished so much more.  Hunting down my weekly pictures took me all over New York, New Jersey, Pennsylvania, Florida and countless more places in between.  Not only did this photoblog take me to new locations, it also helped introduce me to so many new people.  This week was no different, and perhaps it was one of my best experiences yet.

A few week’s ago my brother Ryan mentioned to me that one of his college buddies was looking to propose to his girlfriend.  Ryan had shown his friend some of my pictures, as a result, he asked Ryan if I’d be interested in photographing his proposal.  Initially I was hesitant to say yes, mainly because I don’t have much experience photographing people and I didn’t want to screw up such a special occasion.  After giving it some thought I decided what the heck, I’ll give it a shot.

This week Ryan’s friend reached out to let me know Saturday was the big day, and his location of choice was Central Park.  Coincidentally, Central Park was were I hatched the idea for this photoblog so it seemed fitting to get my last picture where it all started.

We all met this past Thursday to discuss the logistics for pulling off our covert mission.  Ryan’s friend was a military officer for 5 years so of course he showed up to the meeting with a map in hand and a plan for concealing our identity from his girlfriend.  We came up with a solid plan in a matter of minutes, the only thing left was for us to execute!

Our basic plan was to link up with my brother’s friend at the Southeast corner of the park, then follow him and his girlfriend North to the Bethesda Fountain.  Once at the fountain, the two would flip some coins into the fountain and make a wish.  They would both then walk towards the Bethesda Terrace, and just as they crossed under the inner arches Ryan’s friend would drop to a knee and tell his girlfriend what he wished for, that she would marry him.

52from52-wk52(2)

Bethesda Fountain

Saturday played out like a movie, we linked up with the couple and trailed them undetected while watching the plan play out.  Once it came time for Ryan’s friend to pop the question, I moved in for the shot.  As I crouched down to take the picture something new happened, my adrenaline pumped?  It was part nerves, part excitement but absolutely a new experience for me while taking pictures.  After taking the pictures my brother and I congratulated the newly engaged couple, took some more posed picture, then were on our way.

Bethesda Terrace

Bethesda Terrace: Proposal Location

As Ryan and I worked our way south towards Columbus circle we came across some large rocks that jutted out of the ground.  Ryan decided to climb on top of one of the rocks to get a better vantage point.  Once Ryan was at the top of the rocks I directed him to look out towards the city skyline so I could take a picture.  As Ryan turned towards the skyline, I saw it, the perfect shot, the perfect picture to close out my 52 week series.

You’re probably asking, why was the picture so perfect and what did I see?  It all happened so fast that it’s hard to describe, but as I took the picture I realized Ryan was inadvertently acting out how I was feeling.  Ryan climbing the rock represented me accomplishing my goal of completing my 52 week series.  Ryan turning around towards the city represented the idea that although I just accomplished my goal, in doing so it revealed a much bigger world full of new challenges just ahead. My unique experience while taking the proposal pictures, along with the previous 52 weeks made me realize that this is not the end of my photography journey.  Simply put, this was chapter one, and now it’s time for the next chapter.

Photography Concepts:

If someone asked me, “what do you think are the most valuable lessons that you learned of the past 52 weeks”, my answer would have to be my understanding of exposure and composition.  Understanding exposure enables you to take pictures that capture scenes as you see them.  Highlights, shadows, blacks and whites are the building blocks of a good exposure, they’re also what makes up a histogram.  Without explaining the histogram, I’ll show you how taping into the power of these attributes unlocks endless creative freedom.  If however you want to learn about the histogram, check out the link below.

Using this week’s picture as my example, in camera I wasn’t able to capture the full spectrum of highlights and shadows.  What I’ve learned to do in this situation is to take an evenly exposed picture in camera, then rework the highlights and shadows in lightroom.  Below is a split screen before and after of my picture.  In order to bring back the blue and detail of the clouds I had to almost completely drop the highlights to -90.  To compensate for dropping the highlights I raised my whites, this made sure I didn’t totally darken my image.  Next I lowered my shadows and blacks to make the trees and rocks darker, and emphasise the contrast between the city and the view inside the park.  Knowing the effect of highlights, shadows, blacks and whites is what gave me the knowledge to mold the image into exactly what I wanted.

Before and After Lightroom Edit

Before and After Lightroom Edit

Just like with exposure, understanding composition enables you to capture a scene and pass on what you see to a viewer.  As I talked about in the photograph description, the site of Ryan up on the rock was very symbolic to me.  Much of what created the symbolism was the composition of the picture.  Ryan’s position in the image, and orientation of his body were the two keys to creating the powerful image.  As I’ve talked about countless times over the past 52 weeks, the rule of thirds is what guides most of my composition decisions.  I’ve practiced the rule of thirds so much that I lined Ryan up on intersection point between the right and middle thirds basically without even thinking.  Next, when I told Ryan to turn and face the buildings, I shot my picture before he completely turned and presented me with his whole back.  To me , this half turned orientation gives the feeling that he just got to the top and is just looking out for the first time.  As a comparison, I took a picture of Ryan with his back completely turned to me, and for me that seemed like the body language of someone that was deep in thought.  He might have been standing on that rock for minutes, hours or even days?  His body orientation doesn’t show motion so it seemed boring.  These are just a few examples of things to think about when you’re lining up your subjects.

Rule of Thirds Applied

Rule of Thirds Applied

Now that I explained some of the ways that I use exposure and composition to get creative, it’s your turn. I’ve spent the past 52 weeks showing you my perspective, perhaps it’s time you get out there and show me yours.  Start a blog, post more actively on Instagram, shoot YouTube videos explaining how and why you take pictures.  Do whatever it takes to share your creativity and I guarantee, you won’t regret it, I know that I don’t.

Alternate view: Ryan's back turned

Alternate view: Ryan’s back turned

Links: 

Histogram Article – Click here

 

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Shoot for the Moon

Picture Info: ISO 100, 36mm, f/16, 30sec

Picture Info: ISO 100, 36mm, f/16, 30sec

Week 49 (7/7/2014 -7/13/2014): Pier A, Hoboken NJ

Picture taken on 7/13/2014 9:42PM

Picture description:

No matter how many times it happens, a full moon always seems to invoke a certain amount of awe after it emerges from the horizon.  This past Saturday I was out camping for paintball in Pennsylvania when I first spotted the orange full moon.  Although I was in a magnificent location to capture the moon in all it’s glory, I did not have my Nikon with me.  It was hard not being able to photograph the rare event but in a way I was glad.  Not having my camera forced me to sit back and just appreciate the moon in the raw, not through a lens, not on the back of a LCD screen, but through my own two eyes.  As I gazed upon what seemed like a giant orange in the sky, I couldn’t help but think how I would compose a  picture feature the moon once back home.  I spent the rest of the evening kicking back with friends reminiscing about our glory days in college, knowing that tomorrow I’d have my shot at the moon.

After getting home from my trip to PA, I quickly gathered my gear and set out for the waterfront to get in position to shoot for the moon.  It was cloudy on Sunday but I remained optimistic that the moon would find a way to peek through the clouds.  After arriving at Pier A, I scouted a few spots for my picture then patiently waited for the moon to rise from the Western horizon.  The predicted moonrise time came and went, and there was still no sign of the moon.  After about 15 minutes doubt started to creep into my mind and I began to think that perhaps the clouds were just too thick to see the moon.  Once 20 minutes hit I started to head back uptown feeling very defeated.  As I walked past Pier C I took a quick glance at the horizon and much to my surprise I saw an orange glow starting to burst through the clouds.  Could it be?!  Yes it was, it was the orange mood that I was eagerly waiting for.  I quickly ran back to my spot at Pier A, composed my picture and the rest is history.

Photography Concepts

When it comes to composing a picture featuring a full moon, or even the sun, one of the keys is knowing where your subject (the moon/sun) will be and when.  Although the moon popped out later than I originally expected, I still had a good idea about when it would rise and where I should look for it.  I’m sure there are plenty of options out there for figuring out the moon’s location but my information source is typically an iPhone application called “The Photographer’s Ephemeris.”  I’ve mentioned this application in the past, but it’s so valuable that it’s worth a second shout out.  Below is an example of how I planned the composition of my picture based on where the moon would be.

iPhone App Screen Shot

iPhone App Screen Shot

The reason I chose this location was because the trees lining Pier A created  a natural leading lines composition, drawing your eyes down the pier towards the moon.  I knew my focal length would leave the moon looking tiny, so I had to give the moon a boost a good composition to make it stand out.   Other than the trees, I also used the light reflections in the water to naturally point towards the moon.  In order for me to get the water looking as smooth as it did, I had to shoot a long exposure.  The trade off of shooting a long exposure was the moon wasn’t as in focus as I would have liked.  In hindsight I wish that I shot a few pictures using a quicker shutter to capture more detail in the moon.  The next full moon like this is on August 10th which leaves me plenty of time to plan out my next shot.  Mark it on your calendar, pick a location and shoot for the moon!

A Year Down the Road

Picture Info: ISO 100, 36mm, f/22, 5.0 seconds

Picture Info: ISO 100, 36mm, f/22, 5.0 seconds

Week 42 (5/19/2014 -5/25/2014): “The Farm” PA

Picture taken on 5/25/2014 at 9:00PM

Photography Description:

Progress, it’s something that is noticeable but not always easy to measure.  Some progress is tangible while other progress is more metaphysical.  When it comes to metaphysical progress, the question is how can you measure the progress of something that doesn’t have a scale of measure.  Take for example a picture, how can you scale a picture’s quality?  Is a picture measured by the number of “likes”, the price tag someone can sell it for, or is it the satisfaction the photographer get’s after taking it?  The concept of measuring my own progress in the world of photography is one that I’ve been dwelling on recently.  I feel like I’m getting better, but how can I truly measure my progress?

This past week presented the perfect opportunity for me to try and measure my progress in the world of photography.  For me, one of the key metrics in progress is difference over time.  In terms of photography this means you need to take the same picture or shoot the same subject at two intervals of time.  How does this relate to last week? Well last week marked the one year anniversary of purchasing my camera.  I couldn’t think of a better way to gauge my progress than comparing pictures I took in the first week of owning my camera, to ones I took one year later.

During the week I went out and tried to recreate some of my first attempted “night photography” pictures.  After successfully recreating one of the pictures I took on the first night of owning my camera, the progress was pretty clear.  However, after looking at my recreation I realized one nuance in my recreation idea.  I couldn’t limit myself to taking the “exact” picture, I needed to place myself at the same location but then shoot freely choosing whatever composition I liked.  Since composition is such a large component of photography, it seemed silly to force myself into recomposing images that might have been better from another perspective.

On Friday, I set out for my traditional Memorial Day weekend trip to “The Farm,” which is my friend Bob’s PA house.  While in route I was excited knowing “The Farm’s” rural landscape would act as the perfect testing ground for my progress.

Recreation of a shot from 2013

Recreation of a shot from 2013

Without getting into the technical aspect of my progress (I’ll cover that in the next section), let me just say WOW, I saw a whole new side to the Farm.  It’s worth noting that I’ve been going to the Farm for 11 years, so something new totally blew my mind!  Take this week’s picture for example.  Never before have I thought to walk down this road during sunset.  It wasn’t until this year that it dawned on me, this road, sunset and mountain background would make for the perfect leading line composition.  The new perspectives didn’t stop at this road.  The entire weekend I was shown how photography has unlocked a whole new world for me visually.  That’s progress, and although it’s not entirely measurable it’s certainly noticeable to me and hopefully everyone else. Seeing the progress that I’ve made in a year makes me excited to think about where I’ll be another year down the road.  Only time will tell…

The last night's sunset

The last night’s sunset

Photography Concepts:

There are three major differences between the way I shoot now, versus how I shot a year ago.  First and probably the most important is the picture format that I shoot in.  Last year I had no clue about RAW vs. JPEG, so I shot in JPEG to give myself more pictures per SD card.  Had I shot this week’s picture in JPEG, I never would have been able to edit it the way I did.  This week’s picture was shot in Nikon’s RAW “.NEF” format.  While shooting, I purposely underexposed my image by a few stops knowing that it would better retain the detail in the sky, and I would be able to recover the lost detail in the foreground.  Simply put, last year I was unaware of the RAW power of shooting in .NEF…pun intended.

The second major difference between last year and now, is that I now mainly shoot in manual mode instead of aperture priority.  Manual mode is what enabled me to under expose my image to my desired level.  I made the jump to shooting more in manual a few weeks ago and I can tell you it’s been paying off in almost every one of my pictures.  Not only do I have more control, but I’m getting quicker at determining what settings are best for specific lighting or subject scenarios. Using this picture as an example, I instantly knew I wanted almost everything in focus so I shot at f/22.  Initially I didn’t have my tripod when I show this picture.  Last year I might have opened my aperture to f/2.8 so I could shoot with a fast enough shutter.  This year I knew f/2.8 wouldn’t let me capture the image I wanted, so I ran back to the house grabbed my tripod and tapped into the power of f/22’s large plane of focus.

Last but definitely not least is what I touched on in the previous section, composition.  Before taking the trip to the Farm this year I reviewed some of my pictures to see how I shot things.  What I noticed was that I wasn’t composing my pictures to take advantage of the full scene.  This year I focused more on lining things up or positioning myself at a location that gave me the best angle.  As often as you can, while out shooting mentally take a step back and think to yourself where is the best angle?  On top of that don’t fall in love with one location, move around!  Last year I was one of the biggest offenders of getting concrete shoes.  I picked a spot and took countless pictures.  This year I took 5-10 pictures ranging in aperture from a location, then moved to the next spot.  When you get home the last thing you want to see is 200 of the same picture.  Variety is good so don’t forget to move.

That about wraps up my review of the differences between this year and last year.  There were other things that I noticed, such as how I edit now, but it’s far too much to fit into one post.  As I get closer to the end of this blog you can expect more then and now comparisons.  Until then, I’m gone for now…

 

A shot I never saw before

Leading Lines Pt2

Bloomfield in Bloom

Picture info: ISO 250, 36mm, f/11, 1/80sec

Picture info: ISO 250, 36mm, f/11, 1/80sec

Week 39 (4/28/2014 -5/4/2014): 10th & Bloomfield, Hoboken

Picture taken on 5/3/2014 at 9:13 AM

Photograph description

Last week I mentioned that one of the biggest challenges for my Hoboken streets project would be to taking pictures that don’t in some way involve the sun .  Naturally I’m drawn towards taking pictures that utilize some kind of light source to create contrast.  In order to keep improving my photography, it’s important that I constantly challenge myself to go outside of my comfort zone.  It’s as the saying goes, “variety is the spice of life”

This week’s picture was taken while I was on my Saturday morning bagel run…for those of you that don’t know, I’m a bagel addict.  Moving on though. It was still early enough that the sun wasn’t high in the sky but it was still filling the day with plenty of natural light.  Although my usual Hoboken bagel spot is on Washington street, I decided to walk down Bloomfield instead so I could photograph the cherry blossoms that line the street.  It only seemed fitting that bloomfield would be filled with so many blooming trees.  Early into my trip I came across an apartment building that had a pinkish tint which acted as the perfect backdrop for the cherry blossom.  I shuffled around for a few minutes trying to find the best angle to fit everything in frame at ~35mm.  Eventually I found the spot and the here you have it!

Photography concepts:

One of the advantages of taking pictures with even light is that it’s easier to set your exposure for the entire scene.  When you include a bright light source in your picture (e.g. the sun) you have to worry about some or all of the image getting blown out (overexposed) or underexposed.  I usually worry more about overexposing the image because it’s harder to recover overexposed areas, than underexposed areas.  Since this week’s picture had no harsh light source setting my exposure was a breeze!

The hardest part of shooting this picture was capturing what I considered to be the good part of the scene at ~35mm.  The reason I’m saying approximately (~) is because I’ve been shooting more and more with my 17-50mm Sigma lens.  Yes 35mm is within the range of my lens, but for some reason the lens never seems to settle on 35mm exactly.  Any picture I take at 35mm usually reads as 34mm or 36mm when I review the image.  I’m not sure why this happens, but it’s not really a big deal.

If there is one thing I learned this week it’s evenly lit pictures are relatively easy to shoot, if you can find interesting ones.  The last part of that statement is the key, “if you can find interesting ones.”  My usual move in the absence of contrasting light is to find a unique angle or move in close and use a wide aperture to tap into a depth of field element.  I did neither this week and that again plays into my desire to shoot more variety.  Variety should be everyone’s goal.  Flip through the pictures on your computer, facebook or instagram and I bet you’ll see a trend.  Hopefully the trend isn’t selfies, but even if it is, this week try to shoot something new.  Find something you don’t usually photograph and get to it!

Time Flies

Picture Info: ISO 100, 35mm, f/1.8, 1/4000 sec

Picture Info: ISO 100, 35mm, f/1.8, 1/4000 sec

Week 30 (2/24/2014 -3/2/2014): Hoboken Waterfront

Picture taken on 3/2/2014 at 12:14 PM

Photograph description

Wow week 30 and I can’t believe how fast time has flown since I started this project.  Doing this photoblog is one of the best decisions I’ve ever made.  I have learned so much, made some new friends and have become even more hooked on photography.  That being said, I’m excited to see what the next 22 weeks will bring!

I was a little off my game this week when it came to taking pictures.  Usually I get out about 1-2 times per week, this way once Sunday hits I have some options for my post.  I’d like to say my lack of photo time was because it was hard to find time, but it was mainly hard to find the motivation to get out and fight the cold.  Waking up Sunday I felt the pressure to find a good picture to feature and lucky for me it wasn’t too cold.  As I have so often this winter, I went out along the Hoboken waterfront to see what I could find.

To get in the mood I threw on some headphones and lost myself in the hypnotic beats of Armin Vann Burren on SiriusXM’s electronic area.  Oddly enough electronic music has the ability to both get me amped and sooth me, sometimes simultaneously.  This time around Armin’s mix had more of a relaxing effect as I strolled around in the cloudy day.  After looping around the newly opened walkway that encircles the 4th street field, I came upon a surprisingly brave seagull.  No matter how quickly I moved towards him the seagull would only fly out a few feet then perch right back on the railing.  This seagull’s challenging attitude provided me with a unique opportunity to adjust my camera settings to find the ideal exposure and composition.

Photography concepts:

Shooting fast, shooting often and anticipating movement are the keys to photographing birds and most animals.  Shooting fast and often seems pretty obvious but the trick is knowing how to set up your camera to do so.  Ideally you want to use your camera’s fastest shutter speed.  The easiest way to get a fast shutter speed is to shoot with a large aperture.  The aperture will vary based on available light, but in most cases your safest bet is to shoot wide open at your lenses largest aperture.  My lenses widest aperture is f/1.8.  Shooting at my lenses maximum aperture allowed me to achieve a super fast shutter of 1/4000 of a second.  You may have noticed that even with shooting as fast as I did, the seagulls wings are still a just a little blurry.  It’s possible the blur is due to a little lag in focus but I’m pretty happy with my camera’s ability to focus quickly so it’s more likely due to a small plane of focus.

Now how to shoot often? My camera and most other DSLR’s have different shooting modes which allow for faster frames per second.  The fastest my camera will shoot is 5 frames per second.  This allowed me to hold down my shutter release button and let my camera fire off lots of consecutive bursts to capture all the action.

Now even with a fast shutter and my camera firing off almost continuous bursts, all would have been lost had I not positioned myself correctly.  Birds and other animals usually give away their next move by the way they orient their body or with their body language.  In the case of this seagull when he was about to fly he usually dipped his head and obviously started ruffling his wings.  I took his flight cues and  body orientation as my cue for where to lead my camera and when to start shooting.

One  last point worth noting, although I shot at f/1.8 I could have shot with a smaller aperture by increasing my ISO.  The reason that I shot at f/1.8 was to get the background totally blurred.  If you don’t want the background blurred raise your ISO and shoot with a smaller aperture.  Shooting with a smaller aperture will also give you a bigger margin of error in terms your plane of focus.  Don’t take my word for it, play around with your settings to find the look that you like.  Just remember you might only get one shot at the picture so practice and know what your settings are before you approach your subject.

Cameo

Picture info: ISO 160, 36mm, f/4.0, 1/4000 sec

Picture info: ISO 160, 36mm, f/4.0, 1/4000 sec

Week 29 (2/17/2014 -2/23/2014): Wagner Park, New York, NY

Picture taken on 2/23/2014 at 5:13 PM

Photograph description:

There is a first for everything, and this week was a feast of firsts. For starters, this week was the first time that I didn’t post within my weekly deadline.  After a busy weekend when it came time to write my post on Sunday night, I  couldn’t resist collapsing face down on my plush tempurpedic.  Other than my latent post, this week also marked the first time that my post’s picture was shot with something other than my Nikon 35mm f/1.8 lens.  I still shot my picture at ~35mm but this time it was with a new  Sigma 17-50mm f/2.8.  I had been tussling with whether or not to buy a new lens for a couple of weeks.  Last week I was finally able to validate purchasing a new lens.  One of my stocks recently started to take a hit so I decided to cut bait and divert those funds to the investment of a new lens.  Hopefully the lens will pay better dividends.  

The last two “firsts” worth noting are locations based.  This week was the first time that I visited Washington Square park and the nearby Stumptown coffee shop.  I’ve been to the Stumptown on 29th street a few times but never the second and smaller location by Washington Square park.  It was nice finally checking out the park  even if it wasn’t the best time of the day for pictures.  The sun was at about 45 degrees and blindingly bright.  After walking around the park for a few minutes with my friend that tagged along we decidle split off from one another so we could each focus on finding the best shot.  As I moved away from the park’s iconic arch I found a couple ways to use to the sun’s harsh angle.  One was to shoot some reflection pictures using the wet ground.  The second idea I had was to line the sun up within the street lights that littered the park so it looked like they were glowing in the daylight.  Although both were fun ideas, they quickly grew old so I decided to find my friend and search for a better location.

Washington Square Park Light Post

Washington Square Park Light Post

With sunset approaching we decided to head to Wagner Park located at the southern tip of Manhattan.  I shot at that location once before during week 16 but since it provides great sunsets, I knew there was no harm in taking a return visit.

While on our way south we seemingly stopped every couple of feet to take pictures.  Since the purpose of our trip was to take pictures, frequently stopping wasn’t a problem, but it was threatening our chances of getting to the park at the right time.  Eventually we decided to jump on the 1 train to expedite our journey.

Once we got out of the subway we made a beeline towards the park.  When we finally cleared the tall buildings of the financial district, I yelled out “boomshakalaka” in excitement once I saw the beautiful evening sky.  For the next hour or so my friend and I were treated to one of the better sunsets I’ve seen in a while.  We both shuffled around the park trying to find the best shot.  I eventually spotted a patch of tall grass which provided me with a good foreground subject and sealed the deal for this week’s picture.

Photography concepts:

Since this week is the first time shooting with my new Sigma lens it makes sense for me to talk about some of the advantages it provides.  One of the advantages which benefited this week’s picture is the Sigma’s nice bokeh.  As I talked about last week, bokeh is the part of the picture that’s out of focus.  One thing I recently learned is that with nicer lenses the bokeh is smoother and although it’s a little bit of an oxymoron, the out of focus images are sharper.  The nice bokeh worked well for creating silhouettes of the lamp post, railing and couple walking.

Another advantage the Sigma has is a low fixed aperture of f/2.8. Although the Sigma doesn’t beat my Nikon 35mm’s f/1.8 aperture it’s still large enough to make shooting indoor and night pictures easier.  The Nikon beats the Sigma aperture but the Sigma has a 4-stop Anti-Shake feature which allows for slower shutter speeds.  This means that although the Nikon can let in more light via a wider aperture, the Sigma can let in more light via slower shutters (without using tripods).  The term 4-stops means I can go 4 stops lower than the recommended shutter speed for a specific focal length.  When shooting at 35mm (52 with a crop sensor) it’s recommended that I stay at or above 1/100 of a second.  Thanks to the anti-shake feature I can hit a shutter speed of 1/40 of a second, and possibly slower if I have any added stabilization.  This is a moot point if you’re using a tripod but it’s very relevant when you’re shooting indoors or at night.

The last advantage I’ll quickly mention because it’s not one that can help me during my 52from52 photoblog series is that the Sigma is a zoom.  The advantage of having a zoom lens is pretty obvious.  With a zoom you’re able to recompose your picture without moving and hit targets that a 35mm prime can’t.  Because it’s a zoom I might use my Sigma again in some upcoming posts, not to shoot my picture from another focal length, but so that I have some flexibility for the pictures not meant for this blog.  The Sigma’s focal length range 17-50mm ( ~25-75mm) is very versatile.  The lens moves from wide angle to a nice focal length for taking pictures of people, especially when I can maintain a f/2.8 aperture.  The possibilities this lens has is exciting so stay tuned!

“Snowboken”

Picture info: ISO 100, 35mm, f/11, 1/80sec

Picture info: ISO 100, 35mm, f/11, 1/80sec

Week 27 (2/3/2014 -2/9/2014): Hoboken, Maxwell Park

Picture taken on 2/3/2014 at 1:09 PM

Picture description

It’s said that the day after the Superbowl is one of the highest call out of work days of the year.  This year I was smart and decided to preemptively schedule myself for a day off on the dreaded Monday after the big game.  As it turned out I couldn’t have chosen a better day to take off, not because of a big game hangover, but because of a huge snowstorm that hit our area.  While most people were fighting both their hangovers and the weather I was relaxing comfortably in my apartment.  Even though I could spend the day sheltered from the storm, I decided it would be fun to head out into the snow with my Nikon in hand.  The only problem I faced was how to protect my camera from the wintery elements.  The solution that I came up with was simple, rubberband a ziplock bag around my camera and I was good to go, or so I thought.

Once out in the storm my ziplock plan seemed to work in terms of protecting my camera, but it made taking photos extremely difficult.  I was able to make the best of the situation by shielding my camera within my coat until I spotted a potential picture.  Knowing that I couldn’t preserve my camera’s dryness for long, I decided to hit two nearby Hoboken locations.  First I went to my usual spot, the uptown pier at Maxwell Park.  To my surprise I spotted a family of geese trying to take refuge in the cove of the pier’s “beach area.”  They were surrounded by ice and almost seemed to be frozen themselves.  I moved around trying to shoot the geese from the best angle possible without falling into the water myself.  Next I moved to the pier on Sinatra drive by the skatepark.  Since the snow was creating a nice white out I wanted to take a picture of the gazebo on the water with nothing but a white background.  Usually the New York City skyline is the backdrop so I thought this would make for a unique picture of the area.

gazebo picture

Gazebo picture

After getting the gazebo picture I decided to head back in for the day.  I had been outside for about an hour and it seemed that my ziplock bag was close to losing it’s ability to protect my camera.  As I fought my way through the snow back to my apartment,  I said to myself next time I’ll be better prepared for the elements.

Photography concepts:

The first time out in the snow with my Nikon taught me some valuable lessons.  The first and most obvious is that you need to keep your camera dry.  Although the ziplock bag was able to protect my camera for the hour that I was out, it would have been a stretch to sustain it’s usefulness for any longer period of time.  As a result my first purchase after Monday’s snow storm was a rain cover or “rain sleeve” for my camera (link below).  They essentially work just like the ziplock bag but they’re longer and hug my arm so shooting with them is a lot less clumsy.  I was hoping for another snow storm this weekend so I could test the sleeves, but of course you never get the weather you wish for.  Expect a follow up review of the rain sleeves usefulness in a future post.   

The second lesson I learned is that you absolutely need something dry to wipe off your lens.  This seems pretty obvious as well, yet I totally forgot to bring a cloth while I was out in the snow.  I had to use some of my inner layers to wipe off my lense.  Luckily I always keep a UV filter on my camera’s lens so there was no chance of damaging the actual lens.  Using a UV filter is nothing new for me but absolutely essential when you’re out in the elements.  It’s much smarter to scratch a $10 filter than the lens of your hundred plus dollar lens.

The last lesson that’s worth noting is what I learned in post (editing).  While reviewing my pictures I noticed that I didn’t take advantage of a key feature my DSLR.  Most DSLR’s, including my Nikon, give you the ability to shoot with very fast shutter speeds.  This is a great tool to have when it’s snowing (or raining) because it allows to you seemingly freeze time and capture snow flakes or rain drops midair.  I unfortunately didn’t shoot many pictures with fast shutter speeds.   From the pictures that I so happened to have a fast shutter,  it seemed that 1/1000 – 1/2000 seconds was the ideal speed to freeze the  snowflakes.  My guess is the best lens speed probably varies depending on the wind and size of the snowflakes.  Lesson learned, my shutter speed will absolutely be on the forefront of my mind next time I go out in the snow or rain.

Taken with shutter speed 1/1000 sec

Taken with shutter speed 1/1000 sec

Rain sleeve option 1

http://www.bhphotovideo.com/c/product/469774-REG/OP_TECH_USA_9001132_18_Rainsleeve_Set_of.html

Rain sleeve option 2

http://www.bhphotovideo.com/c/product/891383-REG/ruggard_rc_p18_18_plastic_rain_cover.html